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A Journey to Pandora: Avatar Revisited


In the distant future of Avatar, after his brother falls victim to a robbery, paraplegic Marine Jake Sully (Sam Worthington) decides to step into his shoes by participating in a mission to the far-off world of Pandora.


There, he uncovers corporate tycoon Parker Selfridge’s (Giovanni Ribisi) plans to displace the indigenous humanoid Na’vi population to mine for valuable resources in their lush forest. In exchange for the spinal surgery that could restore his ability to walk, Jake gathers vital information about the Na’vi and their culture for a military unit led by the resolute Colonel Miles Quaritch (Stephen Lang). He also endeavors to infiltrate the Na’vi by utilizing an “avatar” identity, guided by the hopeful scientist Dr. Grace Augustine (Sigourney Weaver). As Jake grows attached to the Na’vi and falls in love with the enigmatic Neytiri (Zoe Saldana), Colonel Quaritch presses forward with ruthless extermination strategies. Jake is compelled to take a stand and join the battle for the fate of Pandora.

My Thoughts: Avatar

It has been a while since I ventured into a “cinematic flashback” for my blog, but with the impending release of “Avatar: The Way of Water” in 2022, I decided to revisit the monumental blockbuster of 2009 and offer my personal reflections. I distinctly remember the anticipation surrounding the release of “Avatar.” The film’s extensive marketing campaign had generated significant buzz, establishing it as the must-see blockbuster spectacle to conclude the cinematic year of 2009. Despite the immense hype, I couldn’t help but harbor doubts about this ambitious sci-fi project, a sentiment shared by many.

Nevertheless, I eagerly attended a screening a day or two after the film’s December 18th, 2009 release, and I can unequivocally state that I was captivated by the film. I returned to watch it multiple times during its theatrical run, and its awe-inspiring visuals and enduring legacy have made a lasting impression. So, let’s delve into my thoughts on “Avatar.”

Directed by James Cameron, “Avatar” was a passion project that had been percolating in the director’s mind for nearly a decade. Cameron patiently waited for cinematic technology to catch up with his vision, and the result was a visually spectacular and immersive experience. The film may not be solely defined by blockbuster action and spectacle, but both elements are prominently featured. Cameron masterfully constructs a richly detailed world on Pandora, creating an alien environment that feels authentic and inhabited by the indigenous Na’vi. The film also carries powerful thematic undertones, addressing issues of colonialism and the environment, thoughtfully woven into the narrative. The action sequences, particularly the clashes between humans (the “Sky People”) and the Na’vi, provide gripping climactic moments. The film’s action is skillfully choreographed and resonates emotionally, culminating in a thrilling battle for Pandora’s destiny.

Visually, “Avatar” is nothing short of mind-blowing. Even by today’s standards of blockbuster cinema, the film’s visual effects remain impressive. The movie transports viewers to an alien world brimming with otherworldly flora and fauna, inhabited by a diverse array of creatures. The film’s attention to detail and CGI wizardry make Pandora a vibrant, living entity that immerses audiences in its beauty. Even quieter, contemplative moments are rendered with vivid color and vibrancy, further enhancing the film’s immersive qualities. “Avatar” boasts a richly cinematic landscape, with Mauro Fiore’s cinematography contributing to its dramatic allure. James Horner’s score provides a magnificent and harmonious soundtrack, featuring sweeping orchestral compositions that resonate with the film’s grandeur.

However, “Avatar” is not without its flaws. The film’s lengthy runtime, clocking in at 162 minutes (two hours and forty-two minutes), feels excessive. While I appreciate a well-crafted, long movie, “Avatar” could have benefited from some trimming, possibly shaving off ten to fifteen minutes by excising certain scenes. This adjustment would have preserved the film’s impact while improving its pacing. The narrative structure occasionally leans on familiar tropes, reminiscent of “FernGully: The Last Rainforest” and “Dances with Wolves,” with the “White Savior” archetype prominent. While these elements are present, they could have been handled with greater nuance and sophistication, resulting in a more compelling narrative. In addition, some of the film’s dialogue comes across as wooden or clunky, a minor issue but noticeable nonetheless.

The ensemble cast of “Avatar” delivers commendable performances across the board. Sam Worthington and Zoe Saldana, both emerging talents in 2009, tackle their roles as Jake Sully and Neytiri with conviction. Worthington effectively embodies Jake’s complex character, torn between personal interests and the greater good, while Saldana skillfully portrays Neytiri’s multifaceted nature—her commitment to her people, her warrior spirit, and her gradual trust in Jake.

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